The official blog for the 5 star, Off West End nominated Shakespeare ensemble. We are the resident company at Leicester Square Theatre in London's West End.
Our next show is Twelfth Night, 5th April - 14th May 2016. Join us as we celebrate Shakespeare 400!
Wednesday, 12 June 2013
Introducing our first guest blogger....Joe Staton!
Budding young actor Joe Staton impressed us here at Grassroots Towers when he emailed us to say he'd heard about us through a teacher and was coming all the way from Spain just to see our Christmas performances! We were delighted to meet such a passionate and committed student, so when he asked to interview us, we said yes. Joe wrote up his experiences for his school magazine and we're delighted to share his impressions with you.
Please give a warm Grassroots welcome to our first guest blogger, Joe Staton!
Arranging the interview
Facebook is truly a wonderful tool for
every actor. Why? Because in this industry, contacts is everything. And what
better way to build your contacts than by simply adding them onto Facebook?
During my many visits to London, I was
adamant that I wanted to see a Shakespeare play performed. My A Level Drama and
Theatre Studies teacher told me of Grassroots Shakespeare London, a group
of actors who had begun in London by performing Shakespeare in public areas.
Needless to say, my interest was sparked and I immediately sought them out on
Facebook and booked a ticket to see, to my utter delight, their performance of
A Midsummer Night's Dream and The Tempest.
By this time, I hadn't learnt the
importance of Facebook. Fate must have intervened as I commented on one of
their photos and almost immediately received a reply! After summoning up some
much-needed courage, I was then able to arrange an
interview with actress and founder of the Grassroots Shakespeare London, Siobhan Daly.
So on the night of the show, I headed down
to the theatre and was delighted by the
completely unique and wonderful performances of two of Shakespeare’s most
A quick review of the shows
This is the first time I have ever seen a
Shakespeare on the stage. I can honestly say, I wasn’t disappointed!
One of the
greatest things about the Bard’s works is the fact that there are very little
stage directions. Why? Because that opens up opportunities for a wide range of
interpretations! In the case of Grassroots, I was intrigued to learn that the
group does not contain a director, instead working as a team to create their
performances. That also means that when one goes to see Shakespeare on stage,
no one can truly guess what to expect.
The show was entertaining and if anyone
was worried that they would not understand that big, complex and elevated
diction that Shakespeare annoyingly utilized in his writing, they soon forgot
these fears. The group worked tirelessly, each one emitting sparks of explosive
energy that grasped the audience throughout both pieces.
Max Wilson as Caliban in The Tempest
The time it would take
to describe in detail how awesome each actor in their characters were would
require at least another fifty pages, therefore I am unfortunately forced to be
brief. Siobhan Daly was astounding in her role as Titania/Hippolyta in A Midsummer Nights Dream and Sebastianin The Tempest, highlighting her
unbeatable talent! Max Wilson performed a brilliant portrayal of Caliban in The Tempest, adopting a Gollum like posture and a croaky voice. Emily Jane Kerr was possibly the funniest Puck
I have ever seen, completely blowing Stanley Tucci from Michael Hoffman’s film
version of the show, completely out of the water! Her energy and commitment to
the role was exactly 100% and her costume was sublime. I think my special
mention however will have to go to Adam Blampied who, living up to the context
of the Renaissance period in which women were forbidden to act on the stage,
humourously portrayed the gorgeous Helena in A Midsummer Night’s Dream and
during his portrayal of Ariel in The Tempest, decided to adopt an extremely
masculine voice and dress up as Batman (as I said, you never know what to
expect at the theatre!).
Siobhan Daly as Titania in A Midsummer Night's Dream
All in all, a most enjoyable first experience of
a live Shakespeare performance!
The group has now begun rehearsal for a
production of Romeo and Juliet and Love’s Labour’s Lost. Book your ticket now
and don’t miss them!
Interview with Grassroots Actors Siobhan
Daly (Titania/Hippolyta and Sebastian) and Matthew Walker (Nick Bottom and
The meeting took place after the actors had
changed and the audience departed. Meeting up at the theatre itself, they were able to provide me with some of their
own back stories, a history of Grassroots, and the challenge of performing
Matthew Walker as Bottom and Siobhan Daly as Titania in A Midsummer Night's Dream
So I guess
my first question would be, where did you guys start out?
Matthew: Well, my mother was concerned that I
was shy as a child so she sent me to drama lessons outside school and from
about 11 onwards, that was it! I just loved it! So I very fortunately landed a
few roles in TV between the age of 16 and 20, and then work kind off tried up
so I went to drama school from the age of 22 to 25 and I've now been out for
about three years. I've done a lot more theatre work since.
Siobhan: How did I start out? I
probably started out at primary school when I wanted to star in nativity plays!
I was one of those kids who enjoyed singing and dancing! I used to put on
performances for the local kids and get them all involved, which is funny
because it’s what I do now! So I kept acting, I studied at RADA, then I set up
Grassroots and it’s been going for about 18 months now!
Matthew: A healthy mix, I think. When you’re
doing one you want to do the other!
Siobhan: I think I prefer stage. I think Matt
said the really good answer! But I like stage more because it’s more immediate
and every night’s different! Also, T.V and film can be quite hard because
you've got to hit a mark and look a certain way. I like the freedom of the
know what to expect when I see a play and what you guys did was definitely
unexpected! What inspired the idea behind Ariel dressing up as Batman?
Siobhan: The actor himself came up with it. We
don’t have a director and one of the things I love about it is that it gives
the actors the room for creativity and freedom to come up with these ideas!
Because otherwise you’re working under somebody else’s concept. I'm not trying
to put directors out of work, but the freedom and creativity encourages actors
and gives them the license to be themselves and play a little. I always say to
people that it’s like being a kid again! You've got a dressing up box and Adam
said, “Can I be Batman?” and everyone agreed!
Grassroots started up as street performances?
Siobhan: Yeah! When we first started up our
first performance was A Midsummer Night’s Dream in Hyde Park. Our idea
was to make Shakespeare accessible so we decided to do it on the band stand and
people would walk past and think “What’s going on?” and then stop, engage and
then realize we’re doing Shakespeare and think “Oh my God! This is so funny!
And it’s Shakespeare?!” So I see us as a sort of access point. I used to work in
opera and I think it’s like that: if you get people to see the easier things
first then they’re more willing to engage in the harder bits! This is our way
of helping people enjoy live theatre!
would you give to anyone who struggles to understand and enjoy Shakespeare?
Matthew: It’s daunting because it’s foreign to
some people and people think they won’t understand it. They are exactly the
sorts of people who we want to come and see Grassroots because they think they
will struggle; they don’t think Batman will be in it. A lot of the themes
Shakespeare talks about - love, honour, dishonour- they’re all relevant in
modern times. It’s just about breaking people’s stereotypes towards it.
Siobhan: I totally agree with Matt! Shakespeare
wrote about the human story, the human experience! As Matt says, the themes are
universal. It doesn't really matter that it’s written in old English because
people still fall in love, they’re still ambitious, still murderous, still
vengeful. I think a lot of the time it’s in the playing of Shakespeare. When
you get actors who know what they’re saying, who understand what they’re
saying, then you can actually understand what’s happening on stage and you can
relate it to your own experiences. One of the things we always say at
Grassroots is that often people feel they have to speak like Lawrence Olivier
with a big actor’s voice-
Matt: Which I do!
Siobhan: I was thinking when Matt was doing his
Bottom as Pyramus, people often feel that’s how Shakespeare should be played
all the time but really you should understand what your saying as if it was
modern English as Shakespeare himself wrote in a language that was common to
the people and his plays were for the people. I think that Shakespeare was a
man that wrote about things close to his life and wanted people to understand
Matthew Walker as Prospero in The Tempest
Matt: I think people have this impression of him
as well. He was actually just a man, a highly intelligent man. He was actually
arrested outside the Globe for assault! I love that! He was just an ordinary
bloke. There is a reason why his plays lasted for 500 years; the language is
beautiful and so well written. There’s a reason why they will stand the test of
time. I’m sure that in a hundred years it will still be performed.
Do you find
it challenging publicising Shakespeare to the masses?
Siobhan: Yes and no. I think that now because we
engage a lot in social media and by using that we can appeal to young people
who use Facebook or Twitter. So that’s one of the ways we can engage with
people. Of course there is also the highly theatre going crowd who bring their
friends as well. But one of the most difficult things is, where does one spend
their money? If you go to the West End, it can cost you up to 90 pounds per
ticket! Plus you have to get the train in which can cost you 30 pounds, and you
also want to eat as well, one can easily spend 150 pounds on a day out! So I
think that by offering tickets for 10 pounds, with the promise of highly
experienced and trained actors with great talent- it is a West End worthy
performance for 10 pounds! Which is fantastic! We also do free shows during the
summer. Like all theatre companies, we need to keep our funding and pay our
actors. There are always things to be paid for down to Triple A batteries! You
wouldn’t believe some of the things needed to make a production happen! We also
don’t use a very complicated set which is very much the Grassroots ethic- it’s
not needed! Without a director’s concept and a set designer’s vision, with only
the actor’s devising you don’t need much to tell the story! You only need the
Matt: The nice thing with devising is that it’s
not planned, it just grows! Someone brings in a hat, another brings in a pair
of boots and we just decide how it will go!
you so much for your time. I loved the show and I love what you’re doing! I
will most definitely make an effort to come back!
Joe Staton - young actor and Grassroots' first guest blogger!