The official blog for the 5 star, Off West End nominated Shakespeare ensemble. We are the resident company at Leicester Square Theatre in London's West End.
Our next show is Twelfth Night, 5th April - 14th May 2016. Join us as we celebrate Shakespeare 400!
Thursday, 10 April 2014
James Alexandrou on why Shakespeare's not that hard
But long story short, it used to be in America, as here, plays were the TV of the day, everyone would go and mix, have an argument about the local goings-on (a sort of Question Time) and then shut up and listen to the plays. In fact a lot of people could recite the plays - and when I say a lot of people I mean everyone from the poor and uneducated to the upper classes. Trust me blud.
James Alexandrou in rehearsal with Annabel Bates (credit: Boris Mitkov)
Along comes 2 actors, one British, one American and both very competitive. They have a public spat over who can perform Shakespeare the best ("I'm better than you", "No, I'm better then you", "I'll get my brother on you" and so on), which ends up with a massive riot during a performance by one the actors of Macbeth between their rival fans at a theatre in New York, which ended with the theatre burning down ('bringing the house down') and the Militia being called in and gunning down the crowd. Serious. This meant that new gun laws were brought in because the local police at the time didn't have death sticks yet, and almost as bad, it led to anyone of the lower social classes being banned from going to see Shakespeare at the theatre!
This meant for a large portion of the last 150 years, the poorer sections of society got to hear about Shakespeare but not to see it. It become more and more rarified and elitist and gained a reputation of being for the upper or at least the more educated class. Then along comes the heady and worthy productions of last century to pound into my little 14-year-old brain that Shakespeare is hard and I don't like it.
He made plays to sell tickets and make some money and keep the crowds coming back. It just so happens the man seemed to know something universal about humans and snuck a whole chunk of truth into what must have been the HBO dramas of the day. He made them to hit the heart, not the head.
James Alexandrou as Iago (credit: Boris Mitkov)
Grassroots Shakespeare London is a group of actors coming together with no director (another modern invention) and working together to tell the story of Othello. We work as close to Shakespeare's original methods as possible. They would have had a short rehearsal period, so we do too. With 2 weeks rehearsal you can forget any fantasies of an RSC level analysis of each line. You can forget deep research into how people of the day would have done this or that, or how, because a character repeats the word "Angry" 5 times in a passage, that Shakespeare was telling us to imbue some new meaning into each word. No, the man was probably pissed at the time anyway.
Othello is about people not being who they really are. The black man in a white man's world having to be something he is not to survive, the betrayed friend who still has to act as if every thing is fine - put like this its easier to understand. Shakespeare's not hard. It's just incredibly deep, and all that requires is a bit of courage.
We are a company of actors coming together to discover some truth between ourselves and working at a time when funding is non-existent, we are all working for next to no money, taking time out of our days off to come and promote the show, to tweet, to Facebook and to sell as many tickets as we can in the hope that we get to do this again one day - just like Shakespeare did (minus the social networking).
And just like Shakespeare we appeal to the heart not the head. Yes, our set is small but our heart is massive. Without exception, everyone member of my wonderful cast has made me cry. Without exception, they've made me laugh and without exception they have made me realise why I do this bloody job.
Get down and see why - Shakespeare's not that hard.
Othello is at Leicester Square until 26th April 2014. Tickets from www.leicestersquaretheatre.com