Siobhan's Guest Blog for West End Frame!

Our Artistic Director & Exec Producer, Siobhan Daly, was recently thrilled to be asked to be the first ever guest blogger for the theatre site, West End Frame!

Here it is just for you!

http://www.westendframe.com/2013/06/GuestBlog-SummerOfLove.html

Guest Blog: A Summer of Love with Grassroots Shakespeare London

Siobhan Daly

I recently read that although Shakespeare spent most of his life working, acting and writing in London, we really only associate him with Stratford-upon-Avon, a place where he spent relatively little time. Perhaps it’s fitting then, that as a Londoner, I established Grassroots Shakespeare London in my home town and capital city with a fun and vibrant ensemble of top young classical actors to bring his works to life in a fresh and exciting new way.

I’ve always been compelled by the beauty of his language and the emotion of his plays. I remember being at school and studying Oberon’s speech from A Midsummer Night’s Dream, “I know a bank where the wild thyme grows….”, and being completely stunned by the depth of the imagery, how instantly you could picture exactly what he was describing, the sights, the smells, the atmosphere.

This wonder never left me, but as I grew up, I was confused to realise that many people didn’t share my enthusiasm. As I asked why, I found that it wasn’t that they didn’t like Shakespeare, but that they felt it was somehow for other people, those with university degrees perhaps, or a special innate knowledge into the mysterious workings of The Bard; a bit like an elite club for people who spoke in booming, deep voices and about things like ‘iambic pentametres’, as though it was a secret password into attending the theatre, which of course, it isn’t at all. You don’t need any of these things. Yes of course, they can deepen your knowledge and help the actors, but most of all, and most importantly, Shakespeare was written to be performed and enjoyed. He wanted people to engage with the stories, to laugh, to cry, to leave the theatre thinking about what they’d just seen, to share in the experience.

To try and get back to basics, Grassroots is an Original Practices company. This means that as much as possible, we try to follow the rehearsal and production methods of Shakespeare and his actors, so we work without a director as they would have. We cast gender-blind and collaborate to devise a show that is full of imagination and excitement rather than fitting into a director’s concept of what the show should be. This creates a production that is accessible and intelligible; we have twelve imaginations instead of one.

And it seems that people like it. We performed our first show in August 2011 and by 2012, we had launched the More London Free Festival during The Queen’s Diamond Jubilee celebrations, headed up to the Royal Shakespeare Company (RSC) to perform Much Ado About Nothing as part of the World Shakespeare Festival, got nominated for two Off West End Awards for Best Ensemble and Best Production, and produced a Five Star, sell-out Christmas rep season where we were having to turn people away as we just couldn’t fit them in.

This year we’re performing a six week Summer of Love rep at the Old Red Lion Theatre in Islington of the heart-breaking classic Romeo and Juliet and the romantic comedy, Love’s Labour’s Lost with one talented cast. This is a brilliant opportunity for Shakespeare on the London Fringe as most runs are only four weeks, so we’re hoping to bring these great works to as many people as possible.

I’m also passionate about identifying and nurturing the top young classical actors and giving them an opportunity to showcase their outstanding talents. Our Assistant Artistic Director is Boris Mitkov, a 22 year old Arts Ed graduate who is also a writer, professional photographer and director. He has already had a play translated, supported by the British Council, and it is currently playing in rep in Sofia. He has also taken his own plays up to the Edinburgh Fringe Festival where they have received five star reviews. Boris is playing Romeo and Costard in our current season and has been leading the rehearsal process for both shows. He’s a great all-round talent including on our multimedia, script editing, lighting shows or building set! Or there’s Matthew Cavendish, a recent graduate from LAMDA who was a finalist in the prestigious Stephen Sondheim Student Performer of the Year competition and who is playing Lord Capulet/ Apothecary and Moth/ Mercade this summer; or Christien Bart-Gittens, a 20 year old who I auditioned last year and have subsequently seen go from strength to strength. He has just finished his Foundation Year at East 15 and is auditioning for drama school. The future of theatre is very bright with actors like these.

Apart from their great talent and your ability to see them now before they’re off to Hollywood, is the fact that they can truly communicate the story. Part of setting up Grassroots was to help break down any elitist barriers to appreciating Shakespeare’s work but also to present intelligent, textually rigorous productions. We’ve all seen boring productions of Shakespeare where the actors have just learned their lines and not really understood a thing they’re saying. Good actors don’t let this happen. They want to communicate with you and they do. It’s a whole different experience.

We try and keep our shows as affordable as possible and we’ve kept our prices this year to the same as they were in 2012. We’re also hoping to keep running a free summer show at Victoria Embankment Gardens under Grassroots Offshoots, an ensemble of actors who are at Foundation degree or drama school audition stage. This year, Christien Bart-Gittens is leading a production of As You Like It for us in early August. We love nothing more than people stopping by to enjoy the show and then surprising themselves when they realise it’s Shakespeare!

Grassroots is fun, exciting, experimental, ground-breaking, passionate and bursting full of talent. I hope you can join us for our Summer of Love.

Siobhan Daly

contact@westendframe.com

Siobhan Daly is the Artistic Director and Executive Producer of Grassroots Shakespeare London. She is a RADA graduate and SOLT/ TMA Stage One West End Producer where she worked on the 2012 Olivier Award winning ‘Goodnight Mr Tom’ (tour and West End), ‘The 39 Steps’ (tour and West End) and ‘The Ladykillers’ (Tour and West End). She is the Associate Producer for Theatre Royal Haymarket Productions which is currently co-producing Lee Evans and Sheila Hancock in ‘Barking in Essex’.

Grassroots Shakespeare London will be performing Romeo and Juliet and Love’s Labour’s Lost in repertory as part of a Summer of Love at the Old Red Lion Theatre, Islington.

Tuesday 18th June – Saturday 27th July 2013 at 7.30pm. Matinees on Saturdays and Sundays at 3pm.

Tickets: £15/ £12 conc. (booking fee applies to online and phone bookings)

www.grassrootsshakespearelondon.com

Booking line: 0844 412 4307

Introducing our first guest blogger....Joe Staton!

Budding young actor Joe Staton impressed us here at Grassroots Towers when he emailed us to say he'd heard about us through a teacher and was coming all the way from Spain just to see our Christmas performances! We were delighted to meet such a passionate and committed student, so when he asked to interview us, we said yes. Joe wrote up his experiences for his school magazine and we're delighted to share his impressions with you.

Please give a warm Grassroots welcome to our first guest blogger, Joe Staton!

Arranging the interview

Facebook is truly a wonderful tool for every actor. Why? Because in this industry, contacts is everything. And what better way to build your contacts than by simply adding them onto Facebook?

During my many visits to London, I was adamant that I wanted to see a Shakespeare play performed. My A Level Drama and Theatre Studies teacher told me of Grassroots Shakespeare London, a group of actors who had begun in London by performing Shakespeare in public areas. Needless to say, my interest was sparked and I immediately sought them out on Facebook and booked a ticket to see, to my utter delight, their performance of A Midsummer Night's Dream and The Tempest.

By this time, I hadn't learnt the importance of Facebook. Fate must have intervened as I commented on one of their photos and almost immediately received a reply! After summoning up some much-needed courage, I was then able to arrange an interview with actress and founder of the Grassroots Shakespeare London, Siobhan Daly.

So on the night of the show, I headed down to the theatre and was delighted by the completely unique and wonderful performances of two of Shakespeare’s most wonderful comedies.

A quick review of the shows

This is the first time I have ever seen a Shakespeare on the stage. I can honestly say, I wasn’t disappointed!

One of the greatest things about the Bard’s works is the fact that there are very little stage directions. Why? Because that opens up opportunities for a wide range of interpretations! In the case of Grassroots, I was intrigued to learn that the group does not contain a director, instead working as a team to create their performances. That also means that when one goes to see Shakespeare on stage, no one can truly guess what to expect. 

The show was entertaining and if anyone was worried that they would not understand that big, complex and elevated diction that Shakespeare annoyingly utilized in his writing, they soon forgot these fears. The group worked tirelessly, each one emitting sparks of explosive energy that grasped the audience throughout both pieces. 

Max Wilson as Caliban in The Tempest

The time it would take to describe in detail how awesome each actor in their characters were would require at least another fifty pages, therefore I am unfortunately forced to be brief. Siobhan Daly was astounding in her role as Titania/Hippolyta in A Midsummer Nights Dream and Sebastian in The Tempest, highlighting her unbeatable talent! Max Wilson performed a brilliant portrayal of Caliban in The Tempest, adopting a Gollum like posture and a croaky voice.  Emily Jane Kerr was possibly the funniest Puck I have ever seen, completely blowing Stanley Tucci from Michael Hoffman’s film version of the show, completely out of the water! Her energy and commitment to the role was exactly 100% and her costume was sublime. I think my special mention however will have to go to Adam Blampied who, living up to the context of the Renaissance period in which women were forbidden to act on the stage, humourously portrayed the gorgeous Helena in A Midsummer Night’s Dream and during his portrayal of Ariel in The Tempest, decided to adopt an extremely masculine voice and dress up as Batman (as I said, you never know what to expect at the theatre!).

 

Siobhan Daly as Titania in A Midsummer Night's Dream

All in all, a most enjoyable first experience of a live Shakespeare performance! 

The group has now begun rehearsal for a production of Romeo and Juliet and Love’s Labour’s Lost. Book your ticket now and don’t miss them!

Interview with Grassroots Actors Siobhan Daly (Titania/Hippolyta and Sebastian) and Matthew Walker (Nick Bottom and Prospero)

The meeting took place after the actors had changed and the audience departed. Meeting up at the theatre itself, they were able to provide me with some of their own back stories, a history of Grassroots, and the challenge of performing Shakespeare.

 

Matthew Walker as Bottom and Siobhan Daly as Titania in A Midsummer Night's Dream

So I guess my first question would be, where did you guys start out?

Matthew: Well, my mother was concerned that I was shy as a child so she sent me to drama lessons outside school and from about 11 onwards, that was it! I just loved it! So I very fortunately landed a few roles in TV between the age of 16 and 20, and then work kind off tried up so I went to drama school from the age of 22 to 25 and I've now been out for about three years. I've done a lot more theatre work since.

Siobhan: How did I start out? I probably started out at primary school when I wanted to star in nativity plays! I was one of those kids who enjoyed singing and dancing! I used to put on performances for the local kids and get them all involved, which is funny because it’s what I do now! So I kept acting, I studied at RADA, then I set up Grassroots and it’s been going for about 18 months now!

Do you prefer theatre?

Matthew: A healthy mix, I think. When you’re doing one you want to do the other!

Siobhan: I think I prefer stage. I think Matt said the really good answer! But I like stage more because it’s more immediate and every night’s different! Also, T.V and film can be quite hard because you've got to hit a mark and look a certain way. I like the freedom of the stage.

I never know what to expect when I see a play and what you guys did was definitely unexpected! What inspired the idea behind Ariel dressing up as Batman?

Siobhan: The actor himself came up with it. We don’t have a director and one of the things I love about it is that it gives the actors the room for creativity and freedom to come up with these ideas! Because otherwise you’re working under somebody else’s concept. I'm not trying to put directors out of work, but the freedom and creativity encourages actors and gives them the license to be themselves and play a little. I always say to people that it’s like being a kid again! You've got a dressing up box and Adam said, “Can I be Batman?” and everyone agreed!

So Grassroots started up as street performances?

Siobhan: Yeah! When we first started up our first performance was A Midsummer Night’s Dream in Hyde Park. Our idea was to make Shakespeare accessible so we decided to do it on the band stand and people would walk past and think “What’s going on?” and then stop, engage and then realize we’re doing Shakespeare and think “Oh my God! This is so funny! And it’s Shakespeare?!” So I see us as a sort of access point. I used to work in opera and I think it’s like that: if you get people to see the easier things first then they’re more willing to engage in the harder bits! This is our way of helping people enjoy live theatre!

What advice would you give to anyone who struggles to understand and enjoy Shakespeare?

Matthew: It’s daunting because it’s foreign to some people and people think they won’t understand it. They are exactly the sorts of people who we want to come and see Grassroots because they think they will struggle; they don’t think Batman will be in it. A lot of the themes Shakespeare talks about - love, honour, dishonour- they’re all relevant in modern times. It’s just about breaking people’s stereotypes towards it.

Siobhan: I totally agree with Matt! Shakespeare wrote about the human story, the human experience! As Matt says, the themes are universal. It doesn't really matter that it’s written in old English because people still fall in love, they’re still ambitious, still murderous, still vengeful. I think a lot of the time it’s in the playing of Shakespeare. When you get actors who know what they’re saying, who understand what they’re saying, then you can actually understand what’s happening on stage and you can relate it to your own experiences. One of the things we always say at Grassroots is that often people feel they have to speak like Lawrence Olivier with a big actor’s voice-

Matt: Which I do!

Siobhan: I was thinking when Matt was doing his Bottom as Pyramus, people often feel that’s how Shakespeare should be played all the time but really you should understand what your saying as if it was modern English as Shakespeare himself wrote in a language that was common to the people and his plays were for the people. I think that Shakespeare was a man that wrote about things close to his life and wanted people to understand that!

Matthew Walker as Prospero in The Tempest

Matt: I think people have this impression of him as well. He was actually just a man, a highly intelligent man. He was actually arrested outside the Globe for assault! I love that! He was just an ordinary bloke. There is a reason why his plays lasted for 500 years; the language is beautiful and so well written. There’s a reason why they will stand the test of time. I’m sure that in a hundred years it will still be performed.

Do you find it challenging publicising Shakespeare to the masses?

Siobhan: Yes and no. I think that now because we engage a lot in social media and by using that we can appeal to young people who use Facebook or Twitter. So that’s one of the ways we can engage with people. Of course there is also the highly theatre going crowd who bring their friends as well. But one of the most difficult things is, where does one spend their money? If you go to the West End, it can cost you up to 90 pounds per ticket! Plus you have to get the train in which can cost you 30 pounds, and you also want to eat as well, one can easily spend 150 pounds on a day out! So I think that by offering tickets for 10 pounds, with the promise of highly experienced and trained actors with great talent- it is a West End worthy performance for 10 pounds! Which is fantastic! We also do free shows during the summer. Like all theatre companies, we need to keep our funding and pay our actors. There are always things to be paid for down to Triple A batteries! You wouldn’t believe some of the things needed to make a production happen! We also don’t use a very complicated set which is very much the Grassroots ethic- it’s not needed! Without a director’s concept and a set designer’s vision, with only the actor’s devising you don’t need much to tell the story! You only need the actors!

Matt: The nice thing with devising is that it’s not planned, it just grows! Someone brings in a hat, another brings in a pair of boots and we just decide how it will go!

Well, thank you so much for your time. I loved the show and I love what you’re doing! I will most definitely make an effort to come back!

 

Joe Staton - young actor and Grassroots' first guest blogger!

Fun in the Forest!

We're into our second week of performances, and so far we've had one FIVE star review and four FOUR star reviews! We're so excited and it's great to see audiences loving the shows! We decided to catch up with EMILY JANE KERR to hear her thoughts on how things have been going!

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Emily Jane Kerr as Puck in A Midsummer Night's Dream

So we're coming to the end of week two of performances. What a whirl wind. Many performances have been sold out, and it's been amazing.

What's even more amazing is that people are enjoying it, and talking about it. People are spreading the word about Grassroots Shakespeare London, which is just incredible. In the first week a young chap was over from Spain and he was recommended to watch us by his drama teacher. Yes, we reach Spain ladies and gentlemen!

One of my favourite shows so far was to a group of 60 teenagers. I was so worried we would not be able to hold their attention, but it's been the best response so far. And the Q&A was just hilarious. Most of the questions being about why Adam was wearing a dress? And why? No, really, why??? 

Emily Jane Kerr as Puck and Max Wilson as Oberon in A Midsummer Night's Dream

The reviews have been interesting. Some glowing and glorious, others unsure. It's very clear people either go with, or don't understand (and refuse to understand) 'original practises'. I've had a very personal response to the things that have been written, and I feel very protective over our work. It's been a challenge to work out what feedback is helpful and what is not, and that's been a learning curve, especially without a director to agree or disagree.

Something that has been fed back a lot is that we have a good ensemble, that we work well together, and we look like we're having fun. Whether or not you are part of an ensemble, I honestly believe if you enjoy each others' company off stage, it shows on stage. I think that is one of the most important things about being in a company. It's definitely one of the special things about Grassroots. I feel we are growing together, which means we're able to react and play, in different ways every night. 

And that makes for a very special performance.

Week Two: Puckish Insights from Emily Jane Kerr

Hello and welcome back to the Grassroots blog! We've finished our second week of rehearsals and what a great week we've had! We asked ensemble member Emily Jane Kerr to let you into her thoughts on what's been happening!

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Emily Jane Kerr in rehearsals for The Tempest as Stephano

My body is aching. My mind is full. And those lines still won’t quite stay in my head. It is most definitely week two of rehearsals. Still in that honeymoon period that will disappear come Wednesday morning when we return for week three. That dreaded week three lull. But enough about that.

Dream is looking marvellous. This week has been joy after joy as everyone’s characters in the Dream have very nearly come to full blown three-dimensional life. Bottom, Quince and the Mechanicals are spectacularly bad actors. (The characters I mean. The chaps playing the mechanicals are fabulous. And rather funny). The lovers are truthful, passionate and hilarious in equal measure. Titania and Oberon are gloriously magical. But Puck? That’s not for me to say. I most definitely struggle with Puck. But she’s coming. How do I get that sense of magical mischievousness combined with the possibility of great evil? It’s a challenge. I’m definitely not there yet but hopefully I will be by the performances. I just hope my costume arrives on time.

One thing that has occurred to me is how lucky I am to be surrounded by such wonderful actors, who not only are talented, but also are intelligent, imaginative and have points of view. It is glorious to spend time with these people and to see everyone else’s enjoyment in Shakespeare’s language. It’s also a joy to see each character and person blossom. Well done Grassroots for getting a fab
group together!

I keep having a, what I like to call, ‘fan moment’ about Shakespeare, about one particular piece of text. It genuinely makes me tingle every single time I say his words.

‘If we shadows have offended
Think but this and all is mended,
That you have but slumbered here
While these visions did appear…’

The beauty of Shakespeare’s language really gets into my heart and soul at that point in the play and I think it’s a perfect end to the show. Also, it says a great deal about theatre. I really hope it makes you tingle too.

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Grassroots Shakespeare London's Christmas rep season of The Tempest and A Midsummer Night's Dream runs at the Lion & Unicorn Theatre from 11th December 2012 - 5th January 2013.

Tickets are available from www.ticketweb.co.uk or www.lastminute.com, who have a £10 offer on until the end of November.

For more details - www.grassrootsshakespearelondon.com

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Emily Jane Kerr
Stephano (The Tempest) & Puck (A Midsummer Night's Dream)
Emily Jane Kerr is an actress from Hertfordshire. She graduated from Central School of Speech and Drama in 2010. Since graduating she has been performing on stage and screen, and has recently turned her hand to writing (Shakepeare for Breakfast 2012 – C Theatre). Emily has performed in many and varied venues, including Shakespeare’s Globe, Hampstead Theatre and The Arts Theatre. Recent credits include Nurse in Shakespeare for Breakfast 2012 (C Theatre), Julia in Waiting for Space (Trafalgar Studios) and A Midsummer Night’s Dream (Young Shakespeare Company). Grassroots is a fabulous company and Emily is excited to be working with wonderful individuals who love Shakespeare as much as her!

Week One: A View from Kane Surry

Hello and welcome to the first blog post from Grassroots Shakespeare London's rehearsals for their exciting Christmas rep season at the Lion and Unicorn Theatre. We got the down low from our super ensemble member Kane Surry on his thoughts after week one in the rehearsal room!

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Kane in rehearsals as Antonio for Grassroots Shakespeare 

London's production of The Tempest

When I think of the word 'devising', I always think back to my days in GCSE Drama where I used to spend countless hours with my classmates trying to make 'edgy' theatre. What this meant is that we struggled through apathy and passive aggression to make plays set on plastic chairs, talking about issues like drugs and domestic violence (issues we knew little about) accompanied by deep and hard hitting music like Massive Attack's Teardrop or Imogen Heap's Hide and Seek. In other words, I used to cringe, so I was nervous on day one to start this process with Grassroots.

But first week in and these fears are dispelled; every actor that walked through the door of The Lion and Unicorn Theatre arrived with a smile, the drive to work, most lines learnt and a cup of coffee. It really was a comforting sight.

From there we talked through ideas to raise the company's already exciting profile and we all chipped in with ideas and respectfully listened. I remember sitting there, even in that first hour, thinking that I was with people who were open-minded and hungry for the company to succeed. 

But then came the real test, the part of the day we'd all been dreading, the part that displayed how much work we had done, the part that tested our lines and demonstrated whether we had what it took to transform into Shakespeare's characters: it was the first stagger-through of A Midsummer Night's Dream! I won't lie, I was terrified.

What happened? Well, to start, there was no judgement on work or characters but only a joy in seeing the seeds of how the play may work. And of course it fell flat on its face a few times and lines went all over the place, I think I walked in to the wrong scene more than once, but what was great is that we got up without ego or fear and we just tried out what we wanted to. 

Kane as Antonio with Siobhan Daly as Sebastian in  

rehearsals for The Tempest

From there came discussion, what we liked and what we didn't. Without a director, it's easy to fall into a trap of talking in circles for hours with no resolve but we knew our time constraints early on and we work fast and collectively to make each scene work. And all this goes for The Tempest too; seeing what people have to offer, I'm not worried.

The Tempest, heavier than Dream, has already started to become more fluid and I really think this is down to the cast feeling more confident with their characters. For me personally, I've found it so helpful to always have people to call on when I'm struggling on what to do with text or understanding the meaning of this complicated language and verse.

It's been a great first week, full or laughter and ideas and in these forthcoming weeks, we are focusing taking this fun and energy and making sure that the we offer Shakespeare at its best, accessible to its audience.

One final thing before is sign off is that my abs have never hurt more as the Mighty Boris keeps us in shape and warmed up to start our days.

Bring on another week!

Kane in rehearsals for The Tempest as Antonio

Kane Surry
Lysander (A Midsummer Night's Dream)
Antonio (The Tempest)

Kane Surry

Lysander (A Midsummer Night's Dream)

Antonio (The Tempest)

Kane has just graduated from the BA Acting course at Central School of Speech and Drama where he played Hupfer in On The Razzle, Lee in Motortown and Bobbie Torbet in Scenes From The Big Picture. He is delighted to be tackling Shakespeare as his first professional play.

Kane Surry

Lysander (A Midsummer Night's Dream)

Antonio (The Tempest) has just graduated from the BA Acting course at Central School of Speech and Drama where he played Hupfer in On The Razzle, Lee in Motortown and Bobbie Torbet in Scenes From The Big Picture. He is delighted to be tackling Shakespeare as his first professional play.